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Black & White Collage on 12×12 wood panel
This piece names what is often left unnamed.
Built from fragmented headlines, religious iconography, and disrupted bodies, This Is Why We Fight exposes how violence becomes normalized — not through chaos, but through familiarity. Through systems that train us to look away, spiritualize harm, or accept injustice as inevitable.
The torn edges speak to erasure.
The layering mirrors information overload.
The paint interrupts what we’re conditioned to absorb without question.
Religion, whiteness, war, and nature are not presented as isolated themes, but as interwoven forces shaping whose lives are protected and whose suffering is justified.
This work is not about aggression — it is about clarity.
It is about the moment silence stops feeling neutral.
It is about the refusal to make peace with what harms.
This is why we fight.
Black & White Collage on 12×12 wood panel
This piece names what is often left unnamed.
Built from fragmented headlines, religious iconography, and disrupted bodies, This Is Why We Fight exposes how violence becomes normalized — not through chaos, but through familiarity. Through systems that train us to look away, spiritualize harm, or accept injustice as inevitable.
The torn edges speak to erasure.
The layering mirrors information overload.
The paint interrupts what we’re conditioned to absorb without question.
Religion, whiteness, war, and nature are not presented as isolated themes, but as interwoven forces shaping whose lives are protected and whose suffering is justified.
This work is not about aggression — it is about clarity.
It is about the moment silence stops feeling neutral.
It is about the refusal to make peace with what harms.
This is why we fight.